Harish Akkisetty’s “4D” Collection Transforms the Ramp into a Portal of Futuristic Couture

Mumbai — The second showcase at the Global India Couture Week Finale was nothing short of a technological marvel. Designer Harish Akkisetty unveiled his much-anticipated “4D” collection, a groundbreaking experiment in immersive fashion that fused couture craftsmanship with digital illusion. The result was a spectacle that left the audience spellbound and redefined what it means to wear art in the age of innovation.

The concept of “4D” extended beyond visual aesthetics—it was a full-bodied experience. As models stepped onto the ramp, garments responded to movement, light, and sound. Fabrics shimmered with embedded LED threads, silhouettes shifted with kinetic mechanisms, and holographic projections danced across the stage, creating a dynamic interplay between the physical and the virtual.

Akkisetty’s collection explored themes of identity, transformation, and digital duality. Each ensemble was designed to evolve in real time, reflecting the wearer’s interaction with their environment. One standout piece—a translucent cape embedded with motion sensors—morphed its color palette as the model walked, symbolizing the fluidity of self in a hyperconnected world.

The designer’s use of materials was equally avant-garde. Smart textiles, biodegradable polymers, and recycled metallic fibers formed the backbone of the collection. The garments were not only visually arresting but also environmentally conscious, reinforcing Akkisetty’s commitment to sustainable innovation.

The audience, which included tech entrepreneurs, fashion editors, and cultural commentators, was visibly captivated. “This is not just fashion—it’s a philosophical statement,” remarked one editor. “Akkisetty is asking us to rethink how we interact with clothing, with space, and with ourselves.”

The show’s choreography was meticulously timed to complement the garments’ reactive features. Models moved with deliberate grace, triggering light shifts, sound cues, and animated backdrops. The ramp itself became a canvas for storytelling, with each step revealing a new layer of the narrative.

Backstage, the energy was electric. Akkisetty’s team of engineers, textile scientists, and stylists worked in perfect sync, ensuring that every garment performed flawlessly. “We’ve spent months prototyping, testing, and refining,” said one technician. “This isn’t just fashion—it’s wearable technology.”

In a post-show interaction, Harish Akkisetty shared his vision: “Fashion must evolve with the times. We live in a world of augmented realities and digital identities. My collection is a response to that—a way to make couture relevant, responsive, and revolutionary.”

Critics praised the collection for its originality and emotional depth. While the technology was impressive, it never overshadowed the human element. The garments told stories—of anxiety, hope, reinvention—and invited the audience to reflect on their own digital footprints.

The “4D” showcase also sparked conversations about the future of Indian fashion. Can couture embrace tech without losing its soul? Can designers collaborate with coders, engineers, and AI to create garments that feel alive? Akkisetty’s work suggests that the answer is a resounding yes.

Asia Prime News observed that the segment marked a pivotal moment in GICW’s history. It wasn’t just a show—it was a shift. A shift toward interdisciplinary design, toward conscious innovation, and toward a future where fashion is not just seen but felt, lived, and experienced.

As the final model exited the ramp, the applause was thunderous. Harish Akkisetty had not only delivered a showcase—he had delivered a vision. And in doing so, he reminded the world that Indian couture is ready to lead the global conversation on fashion’s next frontier.

Stay tuned as Asia Prime News continues its coverage of the GICW Finale. Up next: Sumit Goel and Robert Naorem’s cultural crescendo featuring Nandini Gupta, Birjit Singh, and Anushree.